Most members of hobbyist web forums who discuss vinyl records are vehemently anti-hot stamper. It's the exorbitant markup, of course, that provokes all the outrage. The first pressing, mastered by a young Bob Ludwig , beats every other pressing and reissue by a wide margin. This record is easily identified by scanning the matrix, a product code located in the run-out area next to the label.
Known among dealers as the "hot mix," it has such energy and dynamic range that when it was released it caused the needles on cheap record players to literally jump out of the grooves. This happened when Ahmet Ertegun, the president of Atlantic Records, brought a copy home to his daughter.
Judging the record defective, he immediately ordered a new pressing with the signal dialed down and compressed. Ludwig would later lament that this version " sounded puny and aghh! Still, like everything else having to do with manufacturing vinyl records, there are no rules or absolutes. A desirable matrix isn't foolproof. It's only a good omen. This is what keeps Better Records in business and earns Tom Port a comfortable six-figure income.
If there is one question that needs to be asked at this point, it is this: Who actually buys these things? Bill Pascoe, a full-time political consultant and part-time audiophile, is one such customer. Like all hot stamper addicts, he was initially skeptical. Port's notes boasted that it crushed the lavishly praised Cisco gram Aja reissue. Pascoe was dubious. If you're going to spend tens of thousands of dollars on hardware, why wouldn't you pay a few hundred for the software?
Today, Pascoe owns more than hot stampers. Adjusted for inflation, that's the equivalent of buying a new Mercedes E-Class. The only difference is that one has an excellent resale value. Lawry admits this pricy vinyl won't pad his investment portfolio, but he has no regrets. A recent salary cut, however, has forced Lawry to curb his vinyl excess. Port has particular disdain for these premium, heavy vinyl records, with their bonus tracks and glossy liner notes.
The year-old California native pauses. This outright dismissal of an entire industry has made Port a pariah in most audiophile circles. It's an emotional subject. Jonathan Weiss, the owner of Oswalds Mill Audio , a hi-fi sanctuary in Brooklyn known for its outstanding horn speakers, barely contains his contempt. It's really absurd. Better day original vocal MIX. Dis-moi si. Giving love re-master.
Let your kingdom come. Let Your Kingdom Come. Gettin lifted re-master. Defected presents house masters - charles webster. Pagan deep club classics. Mama Rosin. Jacques Boivin. Rachel Hyppolite. Louis-Martin Bard. David Merette. Veronique Gohier. Andre Fortin.
Martin Charpentier. Anthony Hart Dionne. Louis Goulet. Yohann Hetu. Chantal Lemire. Purchasable with gift card. Je reste ici Si belle The album was completed on the day before Thanksgiving.
Plant suggested to the record company the album should be called Thanksgiving. This idea was quickly dropped, in favour of a title that was thought would represent the powerful force and presence that the band members felt surrounded the group. Six of the seven songs on the album are Page and Plant compositions; the remaining song, "Royal Orleans", is credited to all four band members.
This is because the majority of the songs were formulated at Malibu, where Page but not Bonham and Jones had initially joined a recuperating Plant. With Plant at less than full fitness, Page took responsibility for the album's completion, and his playing dominates the album's tracks.
Both Page and Plant had planned this album's recording session as a return to hard rock, much like their debut album, except at a new level of complexity. It marked a change in the Led Zeppelin sound towards more straightforward, guitar-based jams. Whereas their previous albums up to and including the previous year's Physical Graffiti contain electric hard rock anthems balanced with acoustic ballads and intricate arrangements, Presence was seen to include more simplified riffs, and is Led Zeppelin's only studio album that features no keyboards,  and with the exception of a rhythm track on " Candy Store Rock ", no acoustic guitar.
Page later said the music came from this spontaneity. The ten-minute opening song, " Achilles Last Stand ", was first recorded on 12 November, when the basic backing track was laid down. Jones played an Alembic 8 string bass on the track, giving it a distinctive tone.
Page played a Fender Stratocaster on the track, the first time he had used that guitar model for recording with the band. It was the only track on the album credited to the entire band. Plant played harmonica on the song, and wrote the lyrics based on an old Blind Willie Johnson blues song called " It's Nobody's Fault but Mine ", first recorded in and covered by Nina Simone in In contrast to earlier albums that contained several tracks that the band chose to play live at Led Zeppelin concerts , only two tracks from Presence were played in full on stage while the band was active.
The cover and inside sleeve, created by Hipgnosis with George Hardie , features images of people interacting with a black obelisk -shaped object. Inside the sleeve, the item is referred to simply as "The Object". It was intended to represent Zeppelin's "force and presence".
The background in the cover photograph is an artificial marina, installed in London's Earl's Court arena for the annual Boat Show, in the winter of — The band played a series of concerts at this venue in May , a few months after the boat show. The inner sleeve photographs came from various archive stock pictures, and was designed to resemble a feature in National Geographic. The album was released on 31 March ,  having been delayed by the completion of the album sleeve. It entered at No.
In a contemporary review for Rolling Stone , Stephen Davis said Presence established Led Zeppelin as the premier heavy metal act and featured some exceptional rock music, highlighting the "clean and purifying" guitar riffs. In spite of a few dull blues rock songs, the album was "another monster in what by now is a continuing tradition of battles won by this band of survivors", in Davis' opinion. Neil McCormick of The Daily Telegraph claimed it was "Zeppelin at their most blunted", awarding it two stars out of five.
According to Dave Lewis, "The direct, hard-hitting nature of the seven recordings failed to connect with a fan base more accustomed to the diversity and experimental edge of their previous work. The reissue comes in six formats, including CD, vinyl and digital download. The reissue was released with an altered colour version of the original album's artwork as the bonus disc's cover.
The reissue received generally positive reviews.Aujourd'hui sur Rakuten, Vinyl Led Zeppelin vous attendent au sein de notre rayon. Et cela, aussi bien du côté du neuf que des produits Vinyl Led Zeppelin occasion. De quoi nourrir vos convictions personnelles avec la référence Vinyl Led Zeppelin si la seconde main fait partie intégrante de vos habitudes d'achat.